Felix Baumgartner’s October 14, 2012 jump remains an extraordinary view of Earth from the stratosphere. The capsule camera makes the step away from its platform feel startlingly small against the landscape below.

Final mission figures: altitude and speed
Red Bull’s scientific review records an exit altitude of 38,969.4 metres and a maximum freefall speed of 1,357.6 km/h, or Mach 1.25. These final mission figures describe different parts of the descent: the point of departure and the peak speed reached afterwards.
High above Earth is still within the atmosphere
The jump began in the stratosphere, not outer space. Its achievement was a specialised high-altitude freefall supported by a pressure suit, balloon, capsule and ground team. Seeing that engineering context makes the footage more impressive than an inaccurate “jump from space” label.


Further information: Red Bull’s final Stratos mission data
Explore more: another perspective on airborne movement; a very different specialist parachute sequence.
Video: GoPro: Red Bull Stratos - The Full Story (published by GoPro).


A balloon ascent followed by a freefall
The mission used a balloon to carry a capsule above the New Mexico landscape before Baumgartner stepped away from its platform. The long ascent and much shorter descent are different phases of the operation. Keeping them separate helps explain the film: the dramatic exit is not the beginning of the entire mission, and the landing is not the end of the work required to interpret its results.
Several cameras create a fuller account
The original feature describes five cameras attached to Baumgartner and highlights views near his helmet and chest. Each position supplies a different frame of reference. A body-mounted view can make rotation immediately apparent, while an external or capsule view places the person within the larger scene. Bringing those perspectives together gives viewers more information than any one camera could provide.
Why the spin became the centre of attention
Rotation during the early descent makes the body-mounted footage difficult to follow. Baumgartner later described working to regain control, adding his recollection to the visible sequence. The camera records the movement of the frame and landscape, while his account explains how he experienced those moments. Together they convey an episode that looks very different from the steadier views before and after it.
Altitude, speed and duration answer different questions
Exit altitude marks the start of freefall, maximum speed describes a point reached during it, and elapsed time measures the interval. Those quantities give different dimensions to the mission. The scientific review refined the preliminary figures after analysis, placing the descent within a more precise record than the early estimates available immediately after the jump.
The pressure suit is part of the achievement
The familiar outline of a person can hide the specialised support around the jump. The pressure suit, capsule, balloon and ground team belong in the account alongside the act of stepping away. The original story also described the mission-control response and Baumgartner’s family watching. Those details remind the viewer that the solitary-looking figure in the camera frame was taking part in a coordinated operation.
A triumphant landing and a personal reflection
The contemporary report describes Baumgartner landing on his feet, then kneeling and raising his arms as the people following the mission celebrated. Afterwards, he reflected on how strongly the wish to return alive had occupied him at the point of departure. That response gives the descent a personal conclusion alongside its scientific measurements: the figure seen far above Earth was a person anticipating the journey back to the ground.
What the footage can teach a viewer
The most useful way to revisit the film is to follow the changing references: the capsule platform, the distant landscape, the body-mounted view during rotation and the approach to the ground. Those transitions make the scale of the journey comprehensible. The mission demonstrated a specialised high-altitude descent, while the scientific interpretation of its data belongs to the mission’s analysis rather than conclusions drawn from the colour or apparent speed of a video alone.
A historical achievement rather than a permanent ranking
This feature records the October 2012 event and the later release of additional camera footage. Descriptions such as highest or fastest belong to a defined category and date; they should not become timeless claims merely because an old article remains online. The enduring value here is the complete descent story and its engineering context, not an unsupported promise that every record mentioned in early coverage still stands.
Sources, photography and further reading
Original feature and image attributions:
- Daily Mail
- San Francisco to Paris in 2 Minutes (2459 Photos of the Trip in One Video)
- One of the Best Yosemite Time-Lapses You’ll Watch
- Super Slow Motion Lightning Strike. 1 second in 3 minutes
- Awesome Time Lapse Of 30 Inches Of Snow In 30 Seconds!
- Eyewitness Footage of Typhoon Haiyan, Washing House Away
- Niseko, Japan Snowboarding With The GoPro And GoPro2
- Slow Motion Pictures Presents Film From The Swedish Mountains.
- Red Bull’s final Stratos mission data
- another perspective on airborne movement
- a very different specialist parachute sequence
- GoPro: Red Bull Stratos - The Full Story
Current reference information, checked 15 September 2026:




Private video??? Please excuse my French, but this is plain bullSHIT.
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