In a wooded garden in Hilversum, in the Netherlands, stands what looks like a neat pile of firewood dusted with snow. Walk closer and a row of windows swings up from the log ends to reveal a bright blue room with a keyboard, a guitar and a desk. It is a garden studio designed by the Dutch designer Piet Hein Eek for his friend, the musician and artist Hans Liberg.

A studio disguised as a woodpile
From the outside the studio is all log ends: hundreds of sawn trunks of different diameters stacked into a solid block, with longer logs laid along the sides. With its shutters closed it reads as nothing more than a winter fuel store at the edge of the trees, and the photographs taken after a light snowfall make the disguise even more convincing.



How the log studio is built
The logs are cladding, not structure. Underneath sits a frame of steel and plastic, and the wooden envelope works as insulation, keeping the interior warmer in cold weather. The whole cabin stands on wheels, so it can be hitched to a car and moved.
Along the sides runs a band of top-hinged windows made of steel and plastic. With the shutters closed, the openings disappear into the pile; propped open, the windows become small awnings, let in daylight and give full ventilation.




Inside Hans Liberg’s studio
Inside, the rustic exterior gives way to a clean, bright workspace painted in pale blue. A desk under the windows holds a keyboard and sheet music, a cushioned bench runs along one wall, and open shelves carry books, a hat and a guitar amplifier, with an electric guitar propped against the bench. Liberg uses it as a quiet place to work, compose and record, looking out on the garden through the open windows.





Who is Piet Hein Eek?
Piet Hein Eek is one of the best-known Dutch designers. He made his name in 1990, when he graduated from the design academy in Eindhoven with a cupboard built from scrap wood found in a lumber yard. That idea became his Scrap Wood series, furniture made from what others throw away, and he founded his own practice in 1993.
His large studio complex in Eindhoven combines workshops with a shop, a restaurant and a gallery. Garden outhouses were among his early architectural projects, and the Liberg studio shows the same instinct as his furniture: an ordinary, humble material arranged so you look at it twice.




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