Two cable-car cabins make an unlikely frame for Julien Millot and Tancrède Melet’s highlining performance. Between them, a narrow line turns the normally enclosed crossing into a visible act of balance. The Alpine background adds scale, but it is the familiar size of the cabins that makes the human figure so striking.

The event had a specific occasion
The original account connects the performance with Paradiski’s tenth anniversary. It is a historical specialist event, not an activity offered to ordinary cable-car passengers.
A highline between cable-car cabins
A highline installed for a performance should not be confused with walking directly on the cable car’s operating cable. The line between the cabins is the performance space, suspended above the landscape beneath the lift. The photographs are strong enough on their own: two large cabins frame a human figure balancing in a space normally crossed inside them.




Explore more: a public viewpoint at Aiguille du Midi; another film about movement in exposed spaces.
Related reading: Ski-Gliding the Eiger With Bon and Montant.
The cabins frame the performance
Two cable cars create recognisable endpoints around the narrow line. Their size makes the person between them appear particularly small, while the surrounding mountains extend the scale beyond the installation. The wider images are therefore essential: they explain the unusual stage more clearly than a close-up of the highliner alone.
An anniversary event with named performers
The original account links Julien Millot and Tancrède Melet with Paradiski’s tenth-anniversary performance. It also places them within the Skyliners group and describes Millot’s background in climbing and engineering. These are historical details of the featured event. The line installed for the performance should not be confused with the transport system’s normal operating cable or offered as an activity available to passengers.
The connection between mountain areas
The Vanoise Express setting belongs to the link between the Les Arcs–Peisey-Vallandry and La Plagne sides of Paradiski. That infrastructure provides the occasion for the visual idea: a space ordinarily crossed inside a cabin becomes the frame for a specialist balance performance. The photographs show how that familiar piece of mountain infrastructure became an unusual stage for the performers.
Sources, photography and further reading
Original feature and image attributions:




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