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Figure Skating on an Alpine Lake: Bradley Friesen’s Mountain Film

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A skater crosses a dark, glassy lake while mountains rise around her and repeat themselves in the reflection. The scene in Bradley Friesen's film has the scale of a landscape photograph and the movement of a dance.

The skater is Katrina Lazzarotto. Friesen's original upload, published on 25 February 2016, identifies the setting as a mountain lake at 5,000 feet in British Columbia — approximately 1,524 metres above sea level.

A figure skater on dark lake ice reflecting snowy mountains
Archive still from Bradley Friesen’s 2016 British Columbia skating film. Select to watch. Credit: Bradley Friesen.

Watch Bradley Friesen's original mountain-lake skating film.

The person behind the distant figure

In its contemporary feature, Upworthy spoke with Friesen about the outing. Its account describes Lazzarotto returning to skating after four years away, with Friesen flying her into the mountains. That gives the film a warmer human story than the idea of an anonymous athlete performing a stunt. Read the 2016 interview and photo feature.

The lake is in British Columbia's coastal mountains. It is better to keep that clear regional description than turn the film into directions to an unverified public skating destination. The original upload does not present a named, managed rink.

Why the image feels so spacious

Look at the archive still above. The skater occupies only a small part of the frame, leaving the mountains and their reflection to describe the setting. The dark surface makes the figure readable without filling the foreground with detail.

Then notice the pale markings on the ice. They interrupt the reflection, reminding us that this is a textured frozen surface. The photograph contains two different kinds of line: the large mountain outlines and the much smaller marks around the skater. That difference in scale is a big part of its appeal.

A useful idea for your own winter photographs is to try one wider frame before moving closer. A person does not always need to fill the picture to become its focal point. A little space can tell us much more about where the moment happened.

Inspiration for a skating day of your own

A smooth-looking lake in a film does not establish safe ice conditions. The Minnesota Department of Natural Resources explains that ice strength varies and cannot be judged from appearance alone. Read its ice-safety guidance.

If this video makes you want to lace up your skates, start with a managed outdoor rink or a locally approved skating area and check its current status. You can enjoy fresh air, movement and a beautiful winter setting without needing to reproduce a remote helicopter outing.

For more photography built around frozen water, explore Kristina Makeeva's Lake Baikal gallery. For another way artists use a snowy landscape, meet Simon Beck and his enormous snow drawings.

The small figure gives the mountain scene its scale

The skater’s movement is important partly because she occupies such a small part of the wider landscape. A turn or a glide provides a human measure against the mountains and the dark surface below. Without that figure, the same view could be read as a still landscape; with her, distance and space become part of a performance.

Reflections introduce a second visual structure. The mountains appear both above and below the shoreline, while the moving skater interrupts that apparent symmetry. Compare the broad view with moments when the figure becomes more prominent. The film shifts between an individual action and the much larger setting that contains it.

Friesen's film brings together an individual return to skating and a carefully chosen mountain setting. The broad reflection makes Lazzarotto's movement part of a much larger composition, while the interview gives that distant figure a name and a personal history. Read the two together rather than reducing the scene to an anonymous stunt. Its creative value is the relationship between a person, a frozen surface and the landscape around them. For an outing of your own, the venue's current suitability still needs to be established independently; a beautiful reflection cannot assess natural ice.

Sources, photography and further reading

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