Karol Nienartowicz’s Mountain Tents: Six Years of Camps and Landscapes
A tent is a small subject for a mountain photograph, but that is precisely why it works. In Karol Nienartowicz’s collection, it gives the l...
A tent is a small subject for a mountain photograph, but that is precisely why it works. In Karol Nienartowicz’s collection, it gives the l...
The ice looks almost architectural: a pale wall rising from dark, exposed ground, with a climber small against its face. Christian Pondella...
Find the people first—or try to. In Jakub Polomski’s The Scale of Nature , human figures can be so small that the mountains seem to reveal ...
There is no single shape that says “mountain.” A sharp ridge, an eroded summit and a field of rounded hills can all change the way we under...
A ridge catches the last warm light while the valleys below disappear into cloud. Marcin Kesek’s Tatra photographs make the mountains feel ...
A red jacket provides a small but decisive point of colour against the snow. In Jakub Polomski’s Aiguille du Midi photographs, people help ...
A line of tiny people can make a huge mountain easier to understand. In Robert Bösch’s Mammut campaign photographs, climbers become both pa...
A sleeping platform suspended against a cliff can make an ordinary camping routine look extraordinary. This archive brings together exposed...
The Matterhorn’s distinctive profile can anchor very different photographs. A reflection doubles its outline, a cloud adds a brief flourish ...
Torres del Paine’s towers give the landscape a strong vertical outline, while lakes and open ground widen the view around them. The photogr...