The camera was ready for the northern lights. Dale Sharpe had something else in mind.
During a trip to Norway’s Lofoten Islands in March 2017, the Australian landscape photographer surprised his partner, Karlie Russell, with a proposal beneath the aurora. The resulting picture brings together green light, snowy mountains, a reflection in the water and one very personal moment.

A landscape photograph with a surprise
Dale and Karlie worked together as DK Photography. According to ABC7’s contemporary report, they had already seen the northern lights together around 30 times. Photographing the aurora was something they shared, which made the setting particularly fitting.
Karlie thought they were setting up another picture and wanted to get on with photographing the landscape. Once the camera was ready, Dale got down on one knee. She said yes.
The proposal also had an unexpected backstory. Months earlier, Karlie had unknowingly discarded a concealed engagement ring while reducing overweight luggage before a flight from the Faroe Islands to Iceland. Dale saved for a replacement, and the later journey gave him another opportunity.
The photograph catches that second attempt in a setting they both loved. For all the attention drawn by the sky, it is the small interaction in the foreground that makes you stop.
Why this northern lights portrait works
Look first at the reflection. The water carries colour into the lower half of the image, so the aurora surrounds the couple instead of sitting only above them. The pale mountains separate the bright sky from its reflection, giving the scene a clear horizon.
The two figures remain easy to read against that setting. You can understand the moment without a close-up, and there is still enough room in the frame for the landscape to matter. It is both a proposal photograph and a portrait of a place.
That balance is also part of what makes Ashley and James’s Everest Base Camp wedding photographs so memorable. In each story, the surroundings help explain something about the celebration.


Photo: DK PHOTOGRAPHY Love under the Northern Lights.
When can you see the northern lights in Lofoten?
Lofoten lies in northern Norway, above the Arctic Circle. Visit Lofoten places its potential aurora-viewing season from late August to mid-April, when nights become dark enough. You do not have to restrict a trip to the middle of winter.
The islands also offer a varied foreground: beaches, mountains, villages and stretches of water. Choosing a place you would enjoy in daylight makes the trip rewarding even if the sky stays quiet.
An aurora forecast and a local weather forecast answer different questions. One helps you judge activity high above Earth; the other helps you judge whether clouds may block your view. Neither can promise the photograph you have in mind.
Where does the light come from?
NOAA’s Space Weather Prediction Center explains that auroras form when energetic particles interact with gases in Earth’s upper atmosphere. Excited atoms and molecules release energy as light. Earth’s magnetic field helps organise the displays into regions around the magnetic poles.
Those moving curtains are far above ordinary weather clouds. The colour in the sky belongs to that upper-atmosphere display; the colour on the water is its reflection.
Taking your own portrait beneath the aurora
Have the practical parts ready before the lights appear. A stable tripod, a tested timer or remote release, and a composition chosen in advance leave more time to enjoy the moment.
In Visit Lofoten’s photography guide, photographer Cody Duncan recommends checking focus carefully and adjusting exposure as the aurora changes. There is no single setting that works for every display. Faster-moving curtains call for different exposure choices from a faint, relatively still arc.
For a portrait, begin with a test frame of the landscape, then add the people. Check both the faces or silhouettes and the sky. A setting that records the aurora beautifully can still leave someone blurred if they move during the exposure. Rehearsing where to stand is much easier before the cold and excitement compete for your attention.
And leave some room for the evening itself. A memorable photograph is a wonderful souvenir; watching the light move together is a good reason to be there in the first place.
For more night-sky photography from our archive, explore a collection of Finnish night skies and northern lights filmed across Iceland.
Archive story: the March 2017 proposal, with photography credited to Dale Sharpe and Karlie Russell / DK Photography. Story details were checked against contemporary ABC7 reporting; viewing and photography context draws on Visit Lofoten and NOAA. This is a look back at the event, not a current personal update about the couple.
Planning an aurora trip of your own? Compare the viewing conditions and travel styles in our guide to ten northern lights destinations.


The preparation that stayed outside the frame
The original account describes a torch positioned behind the couple and a camera set on a timer. Those details help explain how a proposal and a landscape photograph could happen in the same frame. The camera was already part of their shared routine; the surprise concerned what Dale was about to do in front of it.
That does not mean the exact lighting arrangement or exposure can be reconstructed from the published image. The useful distinction is between the reported setup and the visible result. One comes from the contemporary account, while the other can be studied directly in the photograph.
A shared photographic life beyond the proposal
The surrounding archive includes views from the Canadian Rockies and Horseshoe Bend in Arizona. Those photographs are not additional angles on the Norwegian proposal. They show other journeys in the couple’s photographic work and give context to their interest in landscapes.
The original story also describes their first in-person meeting being marked by a sunset photograph on Australia’s Gold Coast. Read as a historical account, that detail gives the later northern-lights image continuity: photographing a place together was already part of the relationship being celebrated. The article’s March 2017 event date should remain attached to the story, rather than turning old remarks about wedding plans into a present-day update.
Foreground light and sky light have different roles
In the proposal photograph, the aurora establishes the atmosphere and location, while the figures communicate the event. The light around the people helps their outlines remain readable. The reflection then carries the sky’s colour into another part of the frame. These elements work together without requiring every part of the scene to have the same brightness.
When studying the image, ask whether you can understand the gesture before reading the caption. Then look at what the landscape adds after the gesture is clear. This is a useful way to think about environmental portraits: the setting contributes to the story while the people remain its subject. A beautiful background alone would tell a different story.
Sources, photography and further reading
Original feature and image attributions:
- DK PHOTOGRAPHY
- told Daily Mail Australia
- ABC7’s contemporary report
- Ashley and James’s Everest Base Camp wedding photographs
- Visit Lofoten places its potential aurora-viewing season from late August to mid-April
- NOAA’s Space Weather Prediction Center explains
- Visit Lofoten’s photography guide
- a collection of Finnish night skies
- northern lights filmed across Iceland
- guide to ten northern lights destinations



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