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Rime on Mount Javornik: Marko Korošec’s Frozen Landscape

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A frozen forest looks different when the camera stops facing straight ahead. In these photographs from Marko Korošec’s December 2014 Javornik series, an upward view and a closer angle turn familiar trees into a study of lines, layers and white space.

The Otherworldly Beauty Of Rime Ice Captured In Photos
The trees and other natural features take on an otherworldly appearance. - The Otherworldly Beauty Of Rime Ice Captured In Photos
View upward into tall trees coated with white ice
Looking up turns the branches into an overhead pattern. Credit: Marko Korošec.

Look above the usual horizon

The first image asks the eye to follow the trunks upward. Branches spread across the frame, and the pale coating makes their structure more pronounced. Without a conventional mountain horizon, the forest becomes a pattern that seems to continue beyond the photograph.

This is one reason a short selection can be more satisfying than several nearly identical scenic views. Each angle gives the subject a different role, instead of simply repeating its most dramatic outline.

Move from pattern to scale

Close low-angle view of heavily ice-coated forms
A change of angle gives the surface a more abstract appearance. Credit: Marko Korošec.

The closer view gives more space to the ice surface itself. At that distance, it is easier to notice layered edges and projecting forms than to understand the whole tree. The photograph becomes more abstract without losing its connection to the forest.

The
Because of the ice spikes, the landscape appears as though it's caught in a severe wind. - The Otherworldly Beauty Of Rime Ice Captured In Photos
Photographer wearing a red-and-black face covering in an icy setting
A person introduces a scale and a record of the visit. Credit: Marko Korošec.
Photo: Marko Korosec

The portrait brings a person back into the story. It reminds us that these images came from a particular visit, while avoiding the need to invent a precise measurement for every ice formation. A photograph can suggest scale without functioning as a weather instrument.

Our companion Javornik rime-ice feature explains the freezing-fog process behind the series. For a different archive of trees under heavy ice, explore the Pilis forest photographs from Hungary.

The tower reveals the scale of the rime

The Javornik gallery includes both trees and a lookout tower, allowing natural and built forms to be compared under the same icy covering. The tower is especially useful as a reference: straight structural lines remain partly recognisable beneath the projecting formations, making the scale easier to judge.

Marko Korošec’s photographs also include a person among the ice. That human reference adds context without replacing the wider views. The reported length of the spikes comes from his account, while the photographs show their shape and distribution. This series and the related Javornik article concern the same photographer’s icy landscape; they should not be presented as two independently documented storms merely because the images circulated through different websites.

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